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n, whip-smart visual savvy––Biller production designed the film with Goddess-level detail––a fitfully nostalgic soundtrack (Biller pops up there, too), stunning costumes (Biller’s work, again), and a variegated yet delightful script (yup, you guessed it, Biller wrote it). If The Love Witch doesn’t build a strong case for auteur theory perhaps nothing will.

Ravishing, stylish, playful, and perverse, The Love Witch feels like an enchanted artifact from some distant, far more sophisticated and all round cooler place.

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